Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Thursday, April 17, 2014

Carl Zeiss – Who was this photography genius?

It has been said that without Carl Zeiss and his inventions, we would not really know what the world looks like. And anyone who has ever has the chance of handling or using a digital camera or smartphone fitted with a Zeiss lens knows that this is true.



Carl Zeiss, born on 11 September 1816 and died on 3 December 1888, was a German manufacturer of optical instruments known for the company he founded, Carl Zeiss Jena, now known as Carl Zeiss AG. Brought up in Weimar, Germany, he became an outstanding lens-maker in the 1840s when he produced expert lenses that had an exceptionally large aperture range which allowed for extremely bright images. This has become somewhat of a distinguishing feature in Carl Zeiss lenses as the images they capture are most often crystal clear and vividly detailed.

Zeiss worked in the university town of Jena, from which he got the original name of his company, at a workshop he set up himself where he commenced his lens-making vocation. His lenses were initially used solely in the production of microscopes but his company later began manufacturing their high-quality lenses when cameras were invented.

By the time Zeiss began creating microscopes for scientists in 1846, glass lenses were an accepted way of magnification, but it was a time-consuming, arduous and costly procedure using trial and error on each piece of glass. In his first year, he only sold 23 microscopes. But subsequently, it was the contribution Zeiss made to lens-manufacturing over 170 years ago that have facilitated the modern production of many lenses today.



The Carl Zeiss lens is most commonly known as a feature in Nokia smartphones, which is a major selling point for many of the brand’s products. However, the Carl Zeiss Master Prime umbrella of lenses, which merge an exceptionally high speed with brilliant image sharpness, perfect contrast, and true colour, has also set new standards in cinematography. These lenses have been used for numerous Academy Award-winning films, including “The Social Network”, “The Fighter”, and “The King’s Speech”. Even “The Lord of the Rings” trilogy, which won a total of 17 Oscars, was shot with a Carl Zeiss lens. And famed film director Stanley Kubrick also used a customized Zeiss lens, originally intended for NASA space missions, to shoot his film “Barry Lyndon”.




Carl Zeiss’s legacy now lives on through the lenses we take for granted, and are often unaware of, in cameras, smartphones, surgical equipment, and microscopes with the accuracy, precision and peak image quality that he strived to capture throughout his career being produced every single time.

Monday, April 14, 2014

Film as dream

We’ve all been there; a dark cinema with nothing but our thoughts and a film playing out in front of us in a larger-than-life way. And just like that we’re drawn into a world other than the one we inhabit where we are forced to reconcile ourselves with the mundane nature and banality of everyday life.

Through film, we’re taken on a journey into something great and beautiful, something we could only ever dream about; when the moment we leave the cinema or press the “stop” button, life just seems a little more wonderful.

It doesn’t matter what kind of a film it is; whether it is considered to be good or not critically, all that matters is that in a moment we are able to see something that gives us a completely new experience. Just like reading a book, watching a film can transport us to anywhere we allow it to.

The moment that we cry when we are watching a film isn’t necessarily because what we are watching is sad, but because what we are watching is far more beautiful than anything we could ever have imagined or experienced.


Cinema isn’t frivolous; it’s a necessity. Film is a dream made just for us to enjoy the life we have a little more.

Monday, March 3, 2014

The 2014 Academy Awards – The triumphs and the utter disappointments

After weeks, and even months, of premonitions and predictions – and many, many hopes – about who the takers will be at this year’s Oscars, the results are finally out after the ceremony took place last night, Sunday 2 March, at the Dolby Theatre in Hollywood, Los Angeles hosted by Ellen DeGeneres. There were a few obvious winners but there were also one or two surprises that have no doubt left many cinema-goers extremely perturbed.

Perhaps the biggest disappointment was Leonardo DiCaprio not winning the Academy Award for Best Actor for his role in The Wolf of Wall Street. He had the weight of the world’s hopes on his shoulders and we all thought that his gripping and astute performance – one of the many in his career – would finally earn him that award. But unfortunately, it wasn’t Leonardo’s time yet.



12 Years a Slave winning the Oscar for Best Picture has made history. Director Steve McQueen has become the first black director to get the top film honours in 86 years of Oscar history. This film was a firm favourite and definitely deserves the honour. And space thriller Gravity, starring Sandra Bullock, from Mexican director Alfonso Cuaron, racked up five Oscars for technical achievements like visual effects and cinematography as well as Best Direction.






These were some of the main highlights of the awards function:

Best Picture – 12 Years a Slave



Best Actor in a Leading Role – Matthew McConaughey (Dallas Buyers Club)



Best Actress in a Leading Role – Cate Blanchett (Blue Jasmine)


Best Actor in a Supporting Role – Jared Leto (Dallas Buyers Club)



Best Actress in a Supporting Role – Lupita Nyong'o (12 Years a Slave)



Best Animated Feature – Frozen (Chris Buck, Jennifer Lee, Peter Del Vecho)

Best Cinematography – Gravity (Emmanuel Lubezki)

Best Costume Design – The Great Gatsby (Catherine Martin)

Best Directing – Gravity (Alfonso Cuaron)

Best Documentary Feature – 20 Feet from Stardom (Morgan Neville, Gil Friesen, Caitrin Rogers)

Best Adapted Screenplay – 12 Years a Slave (John Ridley)

Best Original Screenplay – Her (Spike Jonze)

It’s been a great and significant year at the movies. And hopefully next year will be as good, or even better. And hopefully, Leonardo gets that Oscar that the world is waiting for to be his too.



Monday, January 20, 2014

Oscars 2014

Is it that time of the year again? 
The world’s most elegant night for the rich and famous has taken off. 
The Oscars 2014 promises to be bigger and better than ever before, this year being hosted by the one and only Ellen DeGeneres.
Dive in and explore the winners, memorable moments and juicy tidbits of the academy awards that hits screens live on Sunday the 2nd of March 2014, at the Dolby Theatre in Los Angeles and televised LIVE on the ABC Network in the United States, as well as in more than 225 countries worldwide.
Nominations were announced on Thursday, Jan. 16, by "Thor" actor Chris Hemsworth and Cheryl Boone Isaacs, president of the Academy of Motion Pictures Arts & Sciences, whose members vote for the Oscar winners.


Been too busy to catch up on the red carpet? No problem here are the most interesting and nail biting sneak peek at the nominees as to what the academy awards has in store for you this 2014: 

And the Oscar goes too...

Best Picture
"12 Years A Slave"
"American Hustle"
"Dallas Buyers Club"
"Her"                                                                                                                                        
"Nebraska"
"Captain Phillips"                                                                      
"The Wolf of Wall Street"
"Gravity"
"Philomena"

Actor in a Leading Role
Bruce Dern - "Nebraska"
Chiwetel Ejiofor - "12 Years A Slave"                                                    
Matthew McConaughey - "Dallas Buyers Club"
Christian Bale - "American Hustle"
Leonardo DiCaprio - "The Wolf of Wall Street"

Actor in a Supporting Role
Barkhad Abdi - "Captain Phillips"
Michael Fassbender - "12 Years A Slave"
Jared Leto - "Dallas Buyers Club"                                            
Bradley Cooper - "American Hustle"
Jonah Hill - "The Wolf of Wall Street"

Actress in a Leading Role
Cate Blanchett - "Blue Jasmine"
Sandra Bullock - "Gravity"
Judi Dench - "Philomena"
Meryl Streep - "August: Osage County"
Amy Adams - "American Hustle"

Actress in a Supporting Role
Sally Hawkins - "Blue Jasmine"
Jennifer Lawrence - "American Hustle"                                                                                           
Lupita Nyong'o - "12 Years A Slave"
Julia Roberts - "August: Osage County"
June Squibb - "Nebraska"

Animated Feature Film
"The Croods"                                                                             
"Despicable Me 2"
"Frozen"
"The Wind Rises"
"Ernest & Celestine"

Directing
Alfonso Cuaron - "Gravity"
Steve McQueen - "12 Years A Slave"
Alexander Payne - "Nebraska"                                                                
David O. Russell - "American Hustle"
Martin Scorsese - "The Wolf of Wall Street"                                                                      

My expert predictions for the winners are in red :) Enjoy this start studded event.  

Tuesday, December 4, 2012

James Bond - The Spy who cannot Die


“This man is supposed to be a spy and yet everybody knows he is a spy. Every bartender in the world offers him martinis that are shaken not stirred.”
-       Roger Moore


Not many enterprises can boast of never going out of fashion or of never failing to get people talking fifty years down the line. It’s been fifty years since the first Bond film, Dr No, and this past week saw the Bond brand still going strong with the release of the latest film, Skyfall.



The James Bond brand has become such an ever-present part of society that we take for granted the lengths that are gone to to keep the fire of the enterprise burning bright. One of the tricks to this feat is that the Bond character is continually being reborn – from only falling in love twice, giving comic relief through Roger Moore, to the laddish Bond portrayed by Pierce Brosnan. The Bond of each time has to some extent fitted into the generation of his incarnation.



It all began with the books from the 50’s penned by Ian Fleming. The 50’s saw radical change, before the flashy and revolutionary 60’s, and people were looking to inhabit a new radical world apart from the horrors and tragedies of the war. Ian Fleming was a radical in his own way and was witness to a different kind of heroes in action – the intellectual badass and the tough, ruthless men who were well-educated and part of high society. They were the commandoes and special agents that inspired Fleming to write the character of Bond, an Eton dropout and government assassin who was bored by the demure traditions of courtship. Even Bond’s name was a deliberate distancing from the convention of upper-class British “gentlemen” crime fighters. Bond might not be a gentleman in the customary sense of the word, but he is a hero in all kinds of ways.

Although the literary embodiment of Bond provided escapism through a spy who traipsed to exotic locations around the world and bedded highly desirable women, he was not suited to the time he was born into through the novels and the words could not quite do justice to his larger-than-life persona and escapades. Bond became the poster boy of the Swinging 60’s – flippant, sexy, amoral, and oh-so-charming. The first Bond, Sean Connery, and arguably the finest, set the bar for the Bond actor very high.



James Bond is a fantasy, but he has become real enough to millions of fans around the world who have remained faithful to the brand for years and will continue to do so just because there is no hero quite like “Bond, James Bond”.

Wednesday, January 26, 2011

Annie Leibovitz: Life Through a Lens


In her portraits for Rolling Stone and Vanity Fair, Annie Leibovitz has photographed a generation (and more) of rock stars, politicians, and supermodels.

Annie Leibovitz: Life Through a Lens, a documentary created by Leibovitz's sister Barbara, suggests that she might be somewhat overqualified for the job.
Not that Leibovitz reflects too much on the business of photographing movie stars for a living.
Her nomadic life suits her just fine, and might have come from a childhood spent as an Army brat, moving around the world every few years.
Home movies give some of the flavor of Leibovitz's youth, and her arrival in San Francisco just as the Sixties counterculture (and Rolling Stone magazine) were getting underway is covered with old footage and new interviews with colleagues, including publisher Jann Wenner.
It was a wild time (Wenner speaks of sending Leibovitz on tour with the Rolling Stones as though he were responsible for selling her into slavery), and it took its toll; the movie doesn't go into great detail, but a substance abuse problem and subsequent rehab is acknowledged and quickly forgotten.
Mick Jagger and Keith Richards remember her warmly, in any case.
Leibovitz's personal life is in the shadows, except for her relationship with writer Susan Sontag.

The rest is a series of testimonials from admiring subjects (Arnold Schwarzenegger, Mikhail Baryshnikov, Whoopi Goldberg) and some on-location stuff for Vanity Fair, including a shoot with George Clooney and Julia Roberts.

Her working methods show someone with very specific ideas about what she wants, and a disarmingly blunt way of getting them.
Perhaps the most memorable section of this American Masters program is the account of Leibovitz's photographs of John Lennon and Yoko Ono, including a celebrated Rolling Stone cover of a naked Lennon embracing his wife, taken a few hours before Lennon's murder.

That kind of work proves that in Leibovitz's world of portraiture, intimacy is everything.

Try to make an effort to see it!

Thursday, July 1, 2010

Cinema Nouveau


My other passion in life on par with photography is movies.
I love nothing more than watching a stimulating movie anytime, night or day.
I have an ever growing collection of movies and I try and get to the cinema as often as I can.

I enjoy mainstream movies as well as "art house" works. The latter being my reason for this blog post. I know that in KZN our dedicated art house cinema is the Gateway Cinema Nouveau situated in the Gateway Shopping Centre. But I am at a loss as to how many others know this.

Ster-Kinekor, the largest cinema exhibitor in South Africa, operates the only dedicated "art" cinema circuit in the world under the Cinema Nouveau brand. Experience the different cultures and styles of movie-making that Cinema Nouveau offers through foreign language and alternative content that is not readily available on the commercial circuit.

Maybe I have not seen the ads or maybe this sort of industry works with word of mouth. If this is the case -this is my attempt to spread the word.

I have watched many foreign language films that are beautifully made. Lots are independant and do not feature the "big name" stars. Every now and then you get some big names - the actors/actresses that appreciate a good script even though it does not fit into the mainstream fil norm.

Hopefully you will try to locate the art house cinema near you and maybe see a movie every 3 months or so.

If in South Africa you can go to http://www.sterkinekor.com