Wes Anderson has come to be appreciated most for his
unique and intricate visual style in the direction of his films. He has
received copious amounts of critical praise for his work and vision and was
nominated for the Academy Award for Best Original
Screenplay for “The Royal
Tenenbaums” in 2001 and for “Moonrise Kingdom” in 2012, as well as for the Academy Award
for Best Animated Feature for “Fantastic Mr. Fox” in 2009. But now it is being said that
every film he has directed prior to his latest release, “The Grand Budapest
Hotel”, has just been a starter to this fantastic main course of cinematic
pleasure.
“The Grand Budapest Hotel” could aptly be called
typically Andersonian. The film conjures tales within tales and manages to be
at once whimsical and winsome as well as haunting and sombre. In a nutshell, the
film recounts the marvellous adventures of Monsieur Gustave H., a renowned and
legendary hotel concierge at a famous European hotel, and Zero Moustafa (played
by 17-year-old Tony Revolori), the lobby boy who becomes his most trusted
friend.
Like most of Anderson’s films, this one too revolves
around a middle-aged man and a gifted young boy whom he takes under his wing.
One of the treats of the film is the captivating Ralph Fiennes in the lead,
playing the role of Gustave H. He has mastered the slight nuances of his
character, who can be seductive and flattering to his older female guests while
being ruthless and abhorrent in his work ethic.
The film also features actors in cameo roles;
including Bill Murray, Bob Balaban, Owen Wilson, a nearly-unrecognizable Tilda
Swinton, as well as newcomers to the Anderson club; F. Murray Abraham, Jude Law
and Saoirse Ronan, among other very pleasant surprises.
Anderson’s attention to detail and the breathtaking
execution of his vision has become a hallmark of his cinema. But perhaps the
greatest quality of this film is the sense of reverberant joy that one
instantly picks up on that Anderson and his team had while putting this film
together, like children constructing a play-house filled with magical toys and
characteristics.
“The Grand Budapest Hotel” is an ode to a world and
time gone by when – adopting this ‘golden age’ mentality – life seemed more
beautiful and palatable. Wes Anderson’s brilliant imagination and quirky sense
of creation brings a stunning work to the cinema that exudes sultry and
romantic nostalgia.
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